International Women’s Day: women in Australian history

Today is International Women’s Day and we’re highlighting some of our favourite females in Australian history, shared through the lens of the incredible women who are part of the Queensland Museum Network team. Our collections are full of amazing stories and we’re thrilled to be able to share them with you to celebrate this special day. 

Jennifer Wilson, Senior Curator, Transport Energy and Science
Favourite piece of history: Lores Bonney, who is featured in the Anzac Legacy Gallery at Queensland Museum, was a pioneering aviatrix who dodged death on a number of record-breaking solo flights across the globe during the First World War. During her aviation career, Lores completed the longest one-day flight by an airwoman (Brisbane to Wangaratta), was the first woman to circumnavigate Australia by air, the first woman to fly from Australia to England, and the first to fly from Australia to South Africa. She was awarded an Order of Australia Medal in 1991. The Bonney Trophy, which she presented in England, is still awarded annually to an outstanding female British pilot.

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Lores Bonney during her flight from Australia to South Africa, 1937.
Image courtesy of National Library of Australia. 
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Pith helmet worn by Lores Bonney during her flight to South Africa in the 1930s, on display at the Anzac Legacy Gallery at Queensland Museum.

Geraldine Mate, Principal Curator, History, Industry and Technology
Favourite piece of history:  This microscope belonged to Professor Dorothy Hill, renowned palaeontologist and geologist from Taringa, Brisbane. Her approach to scientific inquiry, particularly her research on fossil corals, led to a long and successful career. In one of many firsts, she was the first woman to be elected a Fellow of the Australian Academy of Science. Dorothy became Australia’s first female professor in 1959 when she became Professor of Geology at the University of Queensland. She also became the first Australian woman Fellow of the Australian Academy of Science (1956), the Royal Society of London (1965), and the first female president of the Australian Academy of Science (1970). The Dorothy Hill Medal honours her contributions to Australian Earth science and her work in opening up tertiary science education to women.

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Dorothy Hill in academic dress. Image courtesy of Fryer Library, University of Queensland.
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Carl Zeiss Jena Photographic Stereo Microscope. Image courtesy of Fryer Library, University of Queensland.

Judith Hickson, Curator, Social History
Favourite piece of history: In 2017 it was the 50 year anniversary of the 1967 referendum, which saw Australians uniting to vote 90.77% ‘yes’ to changing the constitution to include Aboriginal Peoples and Torres Strait Islanders in the population count. Commissioned by Australia Post to mark the fiftieth anniversary of the historic date, a commemorative stamp was launched in Canberra on 24 May 2017 by then Minister for Indigenous Affairs, Nigel Scullion. The commissioning and unveiling of the stamp was a historic occasion, bring together representatives of younger generations of Aboriginal and Torres Strait Islander peoples, surviving campaigners, their families and Government representatives. The chosen stamp design was by Rachael Sarra, a Goreng Goreng woman, artist and designer at Brisbane-based creative agency Gilimbaa

“… without the courage and determination of the original campaigners, all our lives could have been so different” – Rachael Sarra

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Designer Rachael Sarra with the with the artistic display of the commemorative stamp.

Barbara Baehr, Arachnologist and ABRS Research Fellow
Favourite piece of history:  In 2014, Queensland Museum scientists honoured wildlife warrior and conservation icon Terri Irwin by naming a new species of spider after her. The spider, Leichhardteus terriirwinae, was discovered by Dr Barbara Baehr and senior curator Dr Robert Raven in the Mt Aberdeen region in North East Queensland. The tiny spider is predominantly brown, with white legs and three white stripes…but don’t expect to easily find it as it’s less than seven millimetres long. The tenacity of the small spider was what led Barbara to name it in honour of Terri Irwin.

“We named this specific swift spider after Terri Irwin because Terri is a fast and straight thinking woman and we could not think of a more appropriate name for this slender and fast moving spider” Barbara Baehr

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Terri Irwin holding the Leichhardteus terriirwinae specimen.
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Australia Zoo Owner Terri Irwin, Queensland Museum Scientist Barbara Baehr and Minister for Science, Information Technology, Innovation and the Arts Ian Walker MP.

Candice Badinski, Communications Coordinator
Favourite piece of history: Thancoupie Tapich Gloria Fletcher AO (1937-2011), best known simply as Thancoupie, was a leading figure in the Indigenous ceramic movement in Australia, and one of North Queensland’s foremost contemporary artists. In a career spanning four decades, she held over fifteen solo exhibitions in Australia and internationally, became Australia’s first Indigenous solo ceramic artist, and was the first Indigenous Australian to complete a tertiary degree in the arts.  Today Thancoupie’s sculptures are represented in a number of major institutions across the country, and she is remembered as a pioneer for Aboriginal and Torres Strait Islander artists. In 2014, Queensland Museum curators purchased The Legends of Albatross Bay (Weipa Story) – a cast aluminium sculpture that narrates the history and legends of the artist’s home at Napranum in Weipa, Western Cape York.  The sculpture was an exciting acquisition, as the work represents not only one of the final chapters in Thancoupie’s career but also offers added depth to the museum’s existing collection of the artist’s work.

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Thancoupie Tapich Gloria Fletcher with some of her artwork in which she used incised lines to convey the history and legends of Weipa.
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Thancoupie Tapich Gloria Fletcher’s sculpture, The Legends of Albatross Bay (Weipa Story), acquired by Queensland Museum in 2014.

Karen Kindt, Collection Manager, Anthropology
Favourite piece of history: Irene Longman, who in 1929 became our first female sitting member in the Queensland Parliament.  Irene was married to one of our very own at the museum, Heber A. Longman, the longest serving Queensland Museum Director (1918 to 1945).  For over thirty years, Irene involved herself in public life, in a professional and voluntary capacity, working on issues relating to the welfare of women and children, town planning and the preservation of flora and fauna. Queensland Museum holds correspondence dated 20 March 1928 from Dr de Rautenfeld in which he gifted two brooches, one for the museum’s collection and one as a personal gift for Irene. On display in Anzac Legacy Gallerywe also have a tablecloth used as a fundraiser for peace that Irene was instrumental in implementing. 

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Irene Longman. Image courtesy of John Oxley Library, State Library of Queensland.
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Brooch gifted to Irene Longman.

Sharing nature’s gems for World Wildlife Day

World Wildlife Day, held annually on 3 March, was created to celebrate and raise awareness of the world’s wild animals and plants. The day has now become the most important global annual event dedicated to wildlife. This year’s theme is “Life below water: for people and planet”. Oceans harbour a rich variety of communities and a wealth of strange and beautiful creatures, each with its own peculiar adaptations to underwater life. Right on our doorstep are two world-class marine hot spots – the unique waters of south-east Queensland, and of course, our iconic Great Barrier Reef.

To mark the occasion we are sharing some of our Wild State vector artwork and spoke to Queensland Museum Graphic Designer, Baden Philips, about his design. Baden said the most important thing when considering the artwork was that it reflects the Wild State gallery concept of the environment and the animal being equally as important as one another. With these rich and unique environments shrinking and vanishing, there is a significant threat to the animals who call it home, with many becoming endangered or even extinct.

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Baden therefore wanted to create the artwork to be reminiscent of a jewellery advertisement, depicting the animals as rare jewels cushioned by a rich and luxurious landscape.  To achieve this jewel-like quality, Baden chose low poly imagery (a polygon mesh in 3D computer graphics that has a relatively small number of polygons) and used Adobe Illustrator to create the drawing on top of the original image. Most of the designs are highly detailed, with each one representing hours of careful work.

Read on for more information about the beautiful animals and habitats that make Queensland one of the most biodiverse places on the planet. 

The Arid Outback

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Scorching summer days, freezing cold winter nights and dry almost all year round. But despite these seemingly adverse conditions, it is not devoid of life. Many animals, from large kangaroos to tiny invertebrates, have developed remarkable adaptations that enable them to survive in this extreme environment with very little water. Some travel great distances to drink, others get moisture from the food they eat, and some can control their body heat and limit water loss.

The Bush

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Much of Queensland is covered by open forests and woodlands, which have long been described as ‘The Bush’. This is a place of light and, even when the trees are at their densest, the tree tops are well-spaced and allow direct sunlight to flood the often grassy floor. Bush animals rely heavily on the trees and shrubs for food and shelter, with some animals and plants evolving co-dependent adaptations that enhance their survival. 

The Rainforest

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Lush, dense plant growth, plentiful rainfall and litter-strewn ground – rainforests are one of the richest habitats on Earth. They have a dense ‘closed’ tree canopy that blocks sunlight and shades a litter-strewn forest floor, creating a multitude of spaces for moisture dependent animals to live. 

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Southern Cassowaries are primarily found in lowland tropical rainforest, where conditions are hot and humid with frequent heavy rain. The Wet Tropics of North Queensland has 1,165 species in 6,300 square kilometres – more plant species than Finland, which is over 50 times its size. 

The Coast

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Many animals make the shore their permanent home despite challenging conditions such as deadly heat, little oxygen, pounding waves and, more significantly, our interference with this increasingly fragile junction of land and sea. Horn-eyed Ghost Crabs (Ocypode ceratophthalma) are fast running scavengers that are known to prey on baby turtles in tropical waters. 

The Ocean

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Oceans harbour a rich variety of communities and a wealth of strange and beautiful creatures, each with its own peculiar adaptations to underwater life. Right on our doorstep are two world-class marine hotspots – the unique waters of south-east Queensland, and of course, our iconic Great Barrier Reef.

Head to the World Wildlife Day website for more information on how you can get involved, and don’t forget to visit your native friends at Wild State during your next trip to the Museum!

Celebrating women in science

We celebrate the achievements of women, known and unknown, remembered and forgotten, who have forged the way for those of us in science today, and to give an opportunity for children: girls and boys, to choose role models in science – Princess Nisreen El-Hashemite, BSc MSc MD PhD

This coming 11 February is International Day of Women and Girls in Science and to celebrate we’re featuring some of the incredible scientists and staff involved in the scientific field across the Queensland Museum Network. Their hard work and excellent contributions often help inspire women and young girls who are interested in following a path in science. We delve into why they chose to get involved in science and what they’ve found most rewarding.

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Marissa McNamara
Lab Manager and Collection Manager (marine for crustacea)

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I work with preserved crabs, prawns, lobsters and other amazing creatures from around Australia, and I get to see the incredible diversity and beauty of life every day. I also help members of the public identify crustaceans they find (often on the beach or the reef), and it’s fantastic to see what people discover. I feel like I learn something new every day! As an added bonus, for Halloween I get to dress up and show off our ‘creepiest’ looking specimens!

Rebekah Collins
Manager, SparkLab and Discovery Centre

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It is really rewarding to create experiences that support visitor learning, hearing people share their memories, stories and connections with the Museum and the Sciencentre, and seeing how much it means to them, especially those who later go on to study or be involved with science.

Joanne Wilkinson
Senior Fossil Preparator and Geosciences Volunteer Coordinator

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At age 9 I asked for a Chemistry set for Christmas. That’s when my love of litmus paper and the test tubes began. Many years later, combining my interest in fossils and my love of test tubes and laboratories, I find myself Senior Fossil Preparator at Queensland Museum. The most rewarding part of working in the fossil scientific community is the discovery of new sites and new species which add to fossil record of Australia and ultimately to the fossil record of the planet.

Susan Wright
Collection Manager, Terrestrial Environments (Entomology)

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The best part of my job as a Collection Manager is that I get to help a wide range of people, from scientists to artists, to conduct fascinating (sometimes bizarre) research regarding insects, our collections and the people that contribute to them. I learn something new every day.

Chae Swindell
Learning Officer, Future Makers

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The most rewarding part of my role is using our collections and research to develop resources that inspire and excite students, teachers and the community about science!

Christine Lambkin
Curator of Entomology

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I became an entomologist and evolutionary biologist because I am fascinated by the interaction between the incredible beauty and unbelievable diversity of insects, and our attempts to mathematically estimate the relationships between species based on morphology and genetics.

Rochelle Lawrence
Research Assistant and Honorary, Vertebrate Palaeontology

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I chose to get involved in science because of my fascination with the natural world, especially our unique fossil fauna and how they can help us better understand the present and impacts or future environmental change.

Kristen Spring
Collection Manager, Geosciences

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I got into science because although there is too much to discover in one lifetime, I was certainly determined to try!

Susan Turner
DAAD Professor and Honorary Research Fellow, Geosciences

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I got hooked at around eight years old by reading a book on dinosaurs – the joy of finding the right mentor led me into vertebrate palaeontology in my twenties. Five decades on I still get excited knowing I am the first person to see a new fossil specimen, and sometimes have the joy of identifying and naming it for posterity.

Jessica Worthington Wilmer 
Research Fellow and Molecular Identities Lab Manager

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I became a biologist (evolutionary geneticist) to better understand the world I live in and to use that knowledge to help save threatened and endangered species.

Carole J Burrow
Honorary Research Fellow

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The most rewarding aspect of my work in vertebrate palaeontology is working out new information about very old things (300 to 400 million year old fossils) to help our understanding of how the earliest back-boned animals with jaws are related to each other.

Amy Boulding
Head, Lifelong Learning 

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Amy (back) and Rebekah officially opening the doors to SparkLab

I originally got into science because I loved that I could ask lots of questions and go find the answers by getting my hands dirty and exploring the natural world. I’m super proud of now leading the Lifelong Learning team, and seeing all of the ways that my team create and facilitate those life-changing, enlightening, inspiring moments with people on all different themes and stories within the Museum.

Sue-Ann Watson
Senior Curator (Marine Invertebrates)

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Making new discoveries is the most rewarding part of science. Being the first to know something is really exciting.

Barbara Baehr
Arachnologist and “Australian Spider Lady”

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Barbara with her daughter

I chose to get involved in science because it’s great to be at the forefront of discoveries and I love to be a role model for my daughters.

Jessica Johnson 
Learning Officer, SparkLab, and Forensic Scientist

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I chose science when I held a real human brain in my hands and realised that this was a person, that 1.5kgs was everything that made someone them, and there’s nothing more rewarding then seeing the look on a child’s face when they understand something new and exciting about science.

Claire Chakrabarti
Learning Officer, SparkLab

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I was the child that always asked why and I chose to pursue a career in science as it provided the answers.

Susan Wightley 
Information Officer, Discovery Centre 

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I have always been fascinated by the huge variety of animals, the adaptations to their environment and how they interact with it and each other. I am in my dream job helping people understand and appreciate the complexity and awesomeness of the natural environment around them.

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A Toy Train for Christmas

“I remember clearly the Christmas my parents decided I was old enough to have a model railway all of my own. Saturday mornings were spent in the local hobby shop. I was awe struck by the rows of gleaming model locomotives in glass display cabinets, with little handwritten price tags propped up neatly next to each engine. The present I opened up on Christmas day was a complete surprise, I missed the Hornby Train set high up on a shelf in the shop containing a little blue steam engine (that I named Bob) a few goods wagons and a circle of track. It was magic and the start of something much bigger” – David Hampton, Curator of Transport, The Workshops Rail Museum.

For many train travel and Christmas are closely linked. The excitement of train trips home to spend the holidays with family and friends conjure up fond memories. For more than a century trains were the way most people completed long distance travel. Letters, cards and gifts also crossed the country by rail, connecting people across vast distances and communicating love and well wishes between those that couldn’t be together for Christmas.

For others, like myself, the origins of a lifelong passion for railways began with the gift of a toy train for Christmas. The tradition of giving toy and model trains as Christmas presents is almost as old as the railways themselves, tracing the advance of technology and changing tastes in leisure activities. Originally marketed as toys for boys, today model railways are a pastime enjoyed by people of all ages the world over. The trains themselves, once robust and simple caricatures are now delicate and detailed scale models representing as accurately as possible the real thing.

The Workshops Rail Museum in Ipswich is home to hundreds of model and toy trains, most of which are held safely in the museum’s collection store. However, as Christmas treat I’ve gone through the collection and picked out some of my favourites to share with you.

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Until the First World War toy trains were large, expensive and exclusive. Most were made in Germany and were play things for the rich. They were mostly powered by clockwork mechanisms or live steam.

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Things changed after the war. German made goods fell from favour and mass production made toy trains more affordable. A demand for British made products inspired Frank Hornby –creator of Meccano – to branch out into toy trains in the early 1920s.

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Hornby became one of the most popular toy train brands in the world.  Produced in O Gauge the range developed into a comprehensive toy railway system that included locomotives (available with either electric or clockwork mechanisms), rolling stock, track, signals, buildings, figures and scenery.

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But even in the 1920s people were running out of room as houses and living spaces became smaller. The toy trains available took up the floor of a room for even a basic railway set up. An early attempt to make a more compact railway system was the Bing Table Top Railway, which as its name suggests could be set up and played with on the dining room table.

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After the war toys were still scarce. In Australia brothers George and Bill Ferris couldn’t find train sets to buy their children for Christmas 1946. They decided instead that their car radio business would start manufacturing their own range of O gauge trains. Ferris Electric Trains was one of a number of small ventures that made toy trains in Australia in the 1940s and 1950s. These toys were based largely on Australian trains – the first time models of trains running on Australian tracks were made in commercial quantities.

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As technologies and manufacturing techniques changed in the 1950s, so too did model railways. Trains were being made in plastic rather than tin, smaller scales like HO/OO became more popular and the old O gauge trains fell from favour.

By the 1960s model trains were struggling to adapt to changing tastes and interests. The influence of television, cheap imported toys and declining interest in railways contributed to companies like Hornby suffering financial difficulties and eventually closing down.

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Despite this decline in popularity model trains endured. Marketing shifted from toys for children to accurate and detailed models for serious collectors. Models Railways became a pass time for model builders, researchers and enthusiasts.

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Model train collections come in all shapes and sizes. One of the most remarkable collections in Australia is that of business man Marsden Williams. Mr Williams amassed a collection of 20,000 individual pieces of rolling stock in various scales from across the world between the 1970s and 1990s. After Mr Marsden passed away half of this collection was donated to the Workshops Rail Museum.

Until the 28th of January 2019 visitors to Cobb & Co Museum in Toowoomba can see a small display of Marsden’s collection including locomotives from Europe, America and Japan. Out at the Workshops Rail Museum in Ipswich the process of researching and conserving the various collections of model and toy trains in the museum’s care continues behind the scenes. Out on the museum floor an enormous model based on the railways of Queensland operates every day, capturing the imagination of visitors young and old. I wonder if there is a future Curator of Transport amongst them.

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A Man From Glamorganvale

Mephisto, the world’s only remaining German First World War tank is without doubt a unique and fascinating object. Visitors come from across the world to see it, and many words have been written about it. It is also a treasured object to many Queenslanders who remember it out the front of the old Museum on Gregory Terrace, or lurking menacingly in the Dinosaur Garden of Queensland Museum at Southbank. But it is also close to the hearts of Museum staff and volunteers – one more than most.

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Lance Barrett, Queensland Museum Volunteer, 2018.

My name is Lance Barrett, and I am a Front of House volunteer, meeting and greeting the public when they visit the museum. My paternal Grandfather William Joseph “Bill” Barrett played a part in the history of the Mephisto tank. As my grandfather passed away some years ago, I am only now coming to realise the significance of his experiences. During the 1980s my grandfather was interviewed by Queensland Museum and attended a function here but I would have been busy working at my job at Telstra then and missed it. Years later, when I joined the Sciencentre and the Museum, I began to understand that he was actually present around the time of the capture of the Mephisto and was interviewed when he was 90 about his experiences.

My grandfather enlisted in 1916, a boy from Glamorganvale, just 18 years old and fresh of the farm when he signed up. Before leaving he planted a number of Moreton Bag Fig seeds in the plot on his family farm, in case the worst should happen. By March 1917 he was on the Western Front, was wounded in battle at Broodseinde (Belgium) and returned to his unit in France in July 1918. In October he was transferred to the 26th Battalion who retrieved the tank and sent it on its way to Brisbane. At the interview with then Queensland Museum Curator, Mark Whitmore, my grandfather spoke about how he saw Mephisto when he was relieving troops holding an outpost beyond the tank.

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William Joseph “Bill” Barrett, circa 1916.

In my role as a Front of House volunteer I regularly visited the display Courage of Ordinary Men. It made me think about my grandfather’s war experience, and really personalised the First World War for me. In 2012 my Dad visited the European battlefields, including Villers-Bretonneux, to see where his father had fought. When he brought home photos, it made me feel so connected with my grandfather and his experiences. Added to this, other relatives have served in the military over the years, including both World Wars and Vietnam. One distant cousin received a DCM in World War 2, and my Dad served in peace time. With all these family connections, and talking to visitors to the Courage of Ordinary Men exhibition, I felt everything fall into place because so many of my relatives have served our country – a family history of service. I have wondered whether I could do that – it seems to me the ultimate bravery.

Members of the Barrett family in 1986, with Mephisto. L to R : Darrell and Elaine Barrett (nee Harding), Barbara Douglas (nee Barrett), Elaine Barrett, Bill Barrett (centre), Glenda Barrett, Vivian Griffiths and Kelvin Barrett.

Now, when I talk to visitors about war time, I challenge them to think about what it really meant for the men and women who served. And today as I look at Mephisto, newly installed in the Anzac Legacy Gallery, I find myself thinking again of my grandfather, standing at an outpost on the Western Front, looking across at this tank, just after it had been captured. And once again feel that wonderful connection to my grandfather, William Joseph “Bill” Barrett. I think about our family, my Aunts and Uncles, most of who are still with us, who are so proud of Grandad, their Dad, and his role in the First World War.

Reconstructing the Kronosaurus

Kronosaurus queenslandicus was the largest predatory reptile to swim the seas of western Queensland 105 million years ago. This icon of the paleontological world is thought to have grown up to 11 metres in length, with around two metres of that dedicated to its unusually large skull, containing a mammoth set of jaws and dozens of enormous teeth.

Recently, an opportunity arose for the Queensland Museum to add to the State Collection with the acquisition of two lower jaw pieces from a large individual Kronosaurus. Although the Kronosaurus is an iconic animal, surprisingly little is known about its biology, with skulls and jaws a relatively rare find.

Kronosaurus queenslandicus was named in 1924 by Queensland Museum palaeontologist and former museum Director, Heber Longman, based on a piece of jawbone that was discovered near Hughenden, in central Queensland. It was named after the Greek Titan Kronos; so horrible that he ate his own children. Kronosaurus is a pliosaur, an extinct short-necked marine reptile. Its powerful jaws – which worked in a similar way to a crocodile’s – contain rows of large conical teeth, the biggest of which are nearly 30 centimetres long. Kronosaurus was a fierce predator – remains of its stomach contents found in central western Queensland indicate that it fed on turtles and other long-necked marine reptiles. Kronosaurus fossils have been found in the sediments deposited by the inland seas and turned to rock, ranging in age from 112-100 Million years, during the Early Cretaceous Period.

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This particular specimen was found by a private collector near Boulia in western Queensland and, through negotiations with Dr Andrew Rozefelds, Head of Geosciences, Queensland Museum, was acquired through generous Queensland Museum Foundation donations directed towards object acquisition. The jaw adds to the Queensland Museum’s collection of Kronosaurus specimens. The acquisition of the specimen will ensure that this important piece of Queensland’s geoheritage is preserved in the State Collection for perpetuity. Importantly, it will also provide an opportunity for both researchers and the broader community to get up close to this fascinating specimen.

But as is the case with most specimens of this nature, the jaw was not in perfect condition, which meant that certain work needed to be done before the object could be properly studied, displayed and stored safely within the collection. The main goal for the Geosciences team was to cradle the pieces of fossil as best possible, whilst demonstrating the aspects of the jaw that were missing, especially its teeth. Senior Technical Officer, Ms Debra Lewis took on this meticulous and detailed work.

To present the jaw in a life-like pose whilst also safeguarding it from damage, Debra began work on a bespoke base that would serve the dual purpose of supporting the specimen whilst allowing it to be displayed. Debra said that creating such a base is a lengthy process due to how customised it needs to be.

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“The base is made of timber but each one contains an individual cradle sculpted from polymer plaster to suit the weight, angle and intricacies of each piece of jaw. The cradle was glued to the timber and filled in with expandable polyurethane foam, which was then sanded off to create the shape of the base’s sides. Over that, two layers of fibreglass were carefully applied to give the structure strength. The final step was a coat of paint in a specially chosen shade that would not detract from the ‘hero’, our Kronosaurus jaw.”

As the teeth and part of the bone were missing, careful work was done to demonstrate this as accurately as possible. The teeth were made using 3-D modelling and printing – technology that Dr Scott Hocknull, Senior Curator, Geosciences, has developed within Queensland Museum and has become a key feature of his research and engagement work.

“In this case, the benefits of this technology served as a huge time saver,” said Scott.

The usual method for producing replicas is creating a plasticine sculpture and using that to make a mould and then cast from it. In this case, the process would need to be repeated for each individual tooth – all 16 of them – which Debra and Scott estimate could have taken a month of work or more. The same result using 3-D modelling and printing took about 36 hours, with most of this made up of printing time rather than manual labour. This is achieved through digitally modelling one tooth, then digitally sculpting a 3-D model of each of the 16 teeth. Using photographs of the original tooth, a 3-D model of it was created, which can then be modified and printed out. Debra then hand painted each tooth in a colour that matched the remaining bone. The final piece of the puzzle was to come up with a way that the teeth could be displayed so that it was obvious to viewers which part was original fossil and which was a reconstruction.

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“Part of the bone was missing, so rather than replicating this on top of the original, we decided to use clear perspex rods to place the teeth at the correct height and show the position of the teeth as they would have been in the jaw,” said Debra.

This was done by gluing each newly made replica tooth to a clear rod and placing it into a small indentation drilled into the matrix (a build-up of rock where the tooth would have sat) so that the rod would fit snugly and can easily be removed and replaced. So where to from here for our “revamped” Kronosaurus jaw?

The Geosciences team hope that the specimen will go on display, possibly within the permanent Lost Creatures exhibition at Queensland Museum, where it can be enjoyed by visitors. It is currently available to researchers and is being studied by a PhD student, who has been 3-D scanning the pieces of the jaw to reconstruct the animal digitally and learn more about its palaeobiology. Of course, a scientist’s work is never truly done – there is always more to learn and new examples of these extinct species to be unearthed, which in turn will bring new opportunities for research and discovery.

“We’ve known about the enigmatic Kronosaurus for a long time – hopefully we can continue to find out more about this icon of the Cretaceous inland sea,” said Scott.

Queensland Museum Guide To The Gifts That Keep On Giving

December is here and the festive season has already begun! At Queensland Museum Shop you’ll find timeless, high-quality pieces and a huge range of unique gifts for your family. To help you win the ‘best gift-giver’ title, we’ve hand-picked special objects and curated gift guides tailored to all ages, curiosities, loves and passions.

Every purchase supports the important work we do at Queensland Museum and helps us care for our precious collections, bring you amazing exhibitions and experiences, and tell fascinating Queensland stories.

For the Water Warrior who soaks up marine life like a sea sponge:

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If you know someone crazy for the big blue, they’ll love these oceanic gifts. Our educational books feature breath-taking imagery of marine life with a focus on Queensland’s rich coastal diversity. For the little scientist, our coral reef science kits will be a crowd-pleaser and our lifelike cuddly creatures are perfect for little ones to learn as they play.

Featured: Giant Squid Plush Toy, Hug’ems Sea Turtle Plush Toy, Wild Guide to Moreton Bay (Book), The Great Barrier Reef (Book), Green Sea Turtle Plush Toy, Humpback Whale Plush Toy, Tilly’s Reef Adventure (Book), Coral Reef Science Kit, and Whale Shark.

For the Natural Nomad who’s always on the move:

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Explorers, history and culture buffs will love our best-selling wild guides to inspire their next adventure. Send them off in style with practical yet well-designed travelling essentials, which they can use for years to come.

Featured: Soap Nuts, In Search Of Ancient Queensland (Book), Rare Rabbit Clouds Scarf, Rare Rabbit Voyager Wallet, Brisbane’s Best Bush, Bay and City Walks (Book), Eco Friendly Bamboo Toothbrush,Wildlife of Greater Brisbane (Book), Eco Friendly Bamboo Toothbrush Holder and Rainbow Aura Quartz Geode Large

For the Dinosaur Devotee, lover of all things prehistoric: 

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We all know one! Get up close and personal with our huge range of lifelike, hand painted figurines, even approved by a palaeo imagery expert! For the little learners, our dinosaur-themed educational kits and interactive games will highlight fun facts on the extinct species that they never knew before.

Featured: Mini Spinosaurus Plush Toy, 1:20 Scale Dimetrodon Model, Tyrannosaurus Model, Brachiosaurus Model, Discover Dinosaurs Educational Set, Flip-O-Saurus (Book), T-Rex Hand Puppet, Beastly Tyrannosaurus Binoculars, Australian Dinosaur Hatching Egg, 1:40 Scale Kronosaurus Model, Dinosaur Snap Cards and 1:40 Scale Spinosaurus Model.

For the Problem Solver who leaves no problem unsolved:

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Brainiacs will love these gifts that will get their synapses firing and provide hours of entertainment! Choose from coding and robotics kits, a ‘build your own’ musical instrument, wacky science experiments, puzzle builders and so much more.

Featured: Tobbie the Robot, Scientist Academy (book), Quercetti Saxoflute, Kidz Motorised Robot Hand, Coder Academy (Book), more products available in store.

For the Serious Scientist who loves to play, test, observe:  

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Fuel their creativity with these curious and colourful picks.  Our range of puzzles and games demonstrate how science works in the real world. Or if they loved visiting our SparkLab Sciencentre and haven’t been able to stop talking about it, make them the ultimate science ambassador with our geek chic cap and drink bottle. Pair it with an Annual Pass for the gift that keeps giving all year round.

Featured: Rainbow Spring SlinkySparkLab Cap, SparkLab Drink Bottle, Periodic Table T-ShirtHoberman Mini Sphere, Mini Periodic Table Book (in-store only), Glass Prism, Periodic Table Mug, Galt Octons.

For the animal aficionado who’s especially mad for monkeys:

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If they love monkeys and primates be sure to surprise them with an adorable tote bag, tee or plush toy so they can take a little piece of the museum with them wherever they go.

Featured: Squirrel Monkey Plush Toy, Monkey Business AffirmationsMonkeys Kids’ T-Shirt, Tumbling Monkey (in-store only), Nature Buddies Mini Monkey Plush ToyMonkeys Tote Bag, The Educated Monkey Calculator and Never Smile at a Monkey (Book). 

For the History Buff who’s never finished learning:

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The obvious choice for those fascinated by Queensland wartime history, Mephisto, the last remaining German tank in the world and the stories of our Anzacs. The museum’s diverse range of books, trinkets and commemorative items covers off on everything from planes and tanks to incredible untold tales. These gifts help tell the story of Queensland and give a deeper meaning to our community.

Featured: Victoria Cross Pencil and Pencil TopperThe Missing Man (Book), Mephisto: Technology, War and Remembrance Paperback Edition and Hardcover Edition (Book), Pompey Elliott At War (Book), Victoria Cross Badge, Spitfire Pencil Sharpener (in-store only), Monash: The Outsider Who Won a War (Book), Pocket Guide: A7V Mephisto, The Great War Soldier’s Badge (in-store only), Amazing Australians in Their Flying Machines (Book), Tank in a Tin and Voices from the Second World War (Book).

Still can’t decide? Visit Queensland Museum Shop online or in person for more inspiration. And for that person who’s tricky to buy for, we offer Annual Passes so they can experience the best of Queensland Museum all year round!