Category Archives: Collection

Under My Souvenir Umbrella

11 April, 2019 qldmuseum Leave a comment

Have you ever stopped to appreciate the craftsmanship of a good quality umbrella? In Queensland where the weather is usually fine and sunny, most of us these days tend to wear hats to keep the sun off our heads which leaves our beloved umbrellas safely tucked away for those occasional – yet not uncommon – heavy rainfall seasons.

The Queensland Museum recently acquired this old umbrella which was manufactured in c. 1901 by Reid & Todd; a travel and leather goods store located in Glasgow, Scotland. It is an earlier example of what we today regard as a ‘modern day’ umbrella. Prior to the mid nineteenth century, ‘brollies’ were traditionally crafted from whalebone and/or wood, and silk was commonly used for the canopy. This resulted in them being a tad on the heavy side and somewhat delicate – probably a bit of a nuisance if you’re getting about in heavy rain all the time.

364531_dg0113 — Image of H49762, George Randall’s souvenir umbrella, c.1901.

The clever design of the modern day umbrella frame is owed to Mr Samuel Fox who was an industrialist and steelworker from Sheffield, England. In 1851, he developed “U-shaped” stainless steel ribs which gave form to the famous ‘Paragon’ frame – that lovely rounded “U” shape we are all familiar with when we think of umbrellas. The design became superior to anything available on the market resulting in a unique, stronger and lighter umbrella. During the turn of the nineteenth century, Samuel Fox became the largest umbrella frame maker in the world.

364531_dg0111 — Image of H49762, George Randall’s souvenir umbrella – open, c.1901.

This particular umbrella in the museum’s collection belonged to Mr George Randall who was Immigration Officer for the Queensland government from 1881 until 1902. Mr Randall frequently travelled abroad on long stints to Britain on recruiting campaigns with a view to attracting new settlers to the colony. He became very well known for his lectures which promoted Queensland. In 1901, towards the end of his career, he took up the position of Court Manager for the Queensland section of the Glasgow International Exhibition. The umbrella was either purchased or given to Mr Randall as a souvenir while he was in Glasgow for this momentous event. The umbrella is made of a wood stick, a rounded ivory handle and dons the famous ‘Paragon’ steel frame. It has a brass collar fixed to the stick with ‘Reid & Todd Glasgow’ engraved onto it. The ivory handle contains George Randall’s initials inscribed in black indicating the personal aspect of the object.

364531_dg0116 — Detail view of H49762, souvenir umbrella, c.1901. Image shows George Randall’s initials inscribed into the ivory handle.

This umbrella is a great addition to the social history collection here at Queensland Museum. It allows us to explore the individual story of George Randall and to understand his contributions both personal and professional to building a colony of people who would come to work, live and love Queensland as he so did. George Randall was an avid lover of literature and took to poetry as a way of appealing to his fellow countrymen. In a pamphlet that he published titled The Emigrant: his Thoughts, Feelings and Aspirations, he writes in the very first verse:

I am going, I am going to a land beyond the sea,
And I ask my fellow-countrymen, “Will any follow me?”
I am going – not in search of gold, or buoyed by hopes of wealth,
But where maybe hard toil there’ll be, though toil that belongs to good health.
No fairy-dreams of fortune won to give luxurious ease,
No castles in the air are mine, I harbour none of these;
But what I long for is a home – my own, my own, and free –
And I feel that I shall gain it in in the land beyond the sea.

This poem which goes on for another seven pages demonstrates Randall’s enthusiasm and passion for newcomers to consider Queensland as their new home. The pamphlet is one of a small group of items held in the museum’s collection relating to George Randall. The other items include a business card for George Randall’s son, Richard Randall who was a painter, a black and white printed photographic portrait of George Randall taken by the world famous Lafayette Ltd. photographic studio, a copy of the ‘Scottish Trader’ Vol. V., No.34, September 21, 1901, Glasgow which was a registered Glasgow newspaper with a focus on grocery and allied trades, containing mostly advertisements for various foods as well as a feature article on page 11 about Queensland and it’s food products and a highlight on George Randall and his role as Manager of the Queensland Court at the Glasgow International Exhibition, 1901. Alongside these items are three small printed souvenir pictures showing exterior scenes of the Glasgow International Exhibition buildings and an official invitation to George Randall to attend the Reception of the same event.

364770_dg0106 — H49763.2 Printed photographic portrait of Mr George Randall, taken by Lafayette Ltd. The world famous Lafayette photographic studio was founded in Dublin in 1880, by James Stack Lauder. The firm very quickly established itself as the premier portrait studio in Ireland and it wasn’t long until it began taking portraits for members of the Royal family including of Princess Alexandra to mark her visit to Ireland in 1885. During the 1890s, the business expanded with studios established in Glasgow, Manchester and London. It’s possible the portrait of Mr George Randall was taken while he was working in Glasgow for the International Exhibition in 1901.

Carmen Burton, Assistant Curator Queensland Stories

Collection, Museum of Tropical Queensland, Pacific Indigenous Cultures

The Myth of the Mermaid

11 April, 2019 qldmuseum Leave a comment

This blog post is the first in an ongoing series titled Connecting with Collections. The series offers readers a peek inside collections at the Museum of Tropical Queensland, highlighting objects and their stories.

Everyone knows the myth of the mermaid – the half woman, half fish, who is sometimes kind and at other times a source of evil who lures unassuming sailors to their deaths. But where did the legend come from?

The myth can be traced to cultures all over the world. One of the earliest versions of the tale speaks of the Sirens of Greek mythology, who show many similarities with the modern day mermaid. In Assyrian mythology, dating to c. 1000 BC, it is said that the goddess Atargatis took the form of the half woman, half fish creature during her life. Another legend speaks of Alexander the Great’s sister, Thessalonike, becoming a mermaid after her death.

In Irish mythology, there is the Merrow. In Scotland, the Ceasg or Selkie. In Western Europe, the Melusine, and in Slavic folklore, the Rusalka. Parts of Africa hold belief in Mami Wata, Cameroon calls their mermaid the Jengu, and in Maori culture, Pania of the reef. Chinese, Korean, and Thai cultures all have their own variations, and in many Western cultures, Hans Christian Anderson’s The Little Mermaid has immortalised the image of the mermaid that we know today.

In Papua New Guinea, there is a legend about the mythical Ri or Ilkai, sometimes known as a Pishmary (meaning fish woman): a human-like sea creature that resembles the European mermaid. The creature long thought to be this mythological being, with sightings stretching back several decades, has since been proven to be the Indo-Pacific dugong, ‘Dugong dugon’. Regardless of this, there are many locals who still believe that a mysterious being lives in the waters of Papua New Guinea, with the tail of a fish, and the features of a woman.

This sculpture was donated to the Museum of Tropical Queensland by Peter Watt. Mr Watt worked as an engineer on the Melanesian Discovery tourist-ship which travelled around the Trobriand Islands and Sepik River regions of Papua New Guinea in 1990, during which time he collected several items that would later become part of the Museum’s collection. The sculpture allows us to see how different people experience and visually interpret certain myths, like that of the mermaid.

Sophie Price, Assistant Curator Anthropology, Museum of Tropical Queensland

Aboriginal & Torres Strait Islander Cultures, Collection, Insects & Spiders, Queensland Stories, Research

International Women’s Day: women in Australian history

8 March, 2019 qldmuseum Leave a comment

Today is International Women’s Day and we’re highlighting some of our favourite females in Australian history, shared through the lens of the incredible women who are part of the Queensland Museum Network team. Our collections are full of amazing stories and we’re thrilled to be able to share them with you to celebrate this special day.

Jennifer Wilson, Senior Curator, Transport Energy and Science
Favourite piece of history: Lores Bonney, who is featured in the Anzac Legacy Gallery at Queensland Museum, was a pioneering aviatrix who dodged death on a number of record-breaking solo flights across the globe during the First World War. During her aviation career, Lores completed the longest one-day flight by an airwoman (Brisbane to Wangaratta), was the first woman to circumnavigate Australia by air, the first woman to fly from Australia to England, and the first to fly from Australia to South Africa. She was awarded an Order of Australia Medal in 1991. The Bonney Trophy, which she presented in England, is still awarded annually to an outstanding female British pilot.

Hi Res_Bonney Lores against Tiger Moth_NLA — Lores Bonney during her flight from Australia to South Africa, 1937.
Image courtesy of National Library of Australia.

Lores Bonney pith helmet_df4928.jpg — Pith helmet worn by Lores Bonney during her flight to South Africa in the 1930s, on display at the Anzac Legacy Gallery at Queensland Museum.

Geraldine Mate, Principal Curator, History, Industry and Technology
Favourite piece of history: This microscope belonged to Professor Dorothy Hill, renowned palaeontologist and geologist from Taringa, Brisbane. Her approach to scientific inquiry, particularly her research on fossil corals, led to a long and successful career. In one of many firsts, she was the first woman to be elected a Fellow of the Australian Academy of Science. Dorothy became Australia’s first female professor in 1959 when she became Professor of Geology at the University of Queensland. She also became the first Australian woman Fellow of the Australian Academy of Science (1956), the Royal Society of London (1965), and the first female president of the Australian Academy of Science (1970). The Dorothy Hill Medal honours her contributions to Australian Earth science and her work in opening up tertiary science education to women.

Dorothy Hill_UQFL466_b18_AL_P_11.jpg — Dorothy Hill in academic dress. Image courtesy of Fryer Library, University of Queensland.

H28233 Carl Zeiss Jena Photographic Stereo - UQ Image.jpg — Carl Zeiss Jena Photographic Stereo Microscope. Image courtesy of Fryer Library, University of Queensland.

Judith Hickson, Curator, Social History
Favourite piece of history: In 2017 it was the 50 year anniversary of the 1967 referendum, which saw Australians uniting to vote 90.77% ‘yes’ to changing the constitution to include Aboriginal Peoples and Torres Strait Islanders in the population count. Commissioned by Australia Post to mark the fiftieth anniversary of the historic date, a commemorative stamp was launched in Canberra on 24 May 2017 by then Minister for Indigenous Affairs, Nigel Scullion. The commissioning and unveiling of the stamp was a historic occasion, bring together representatives of younger generations of Aboriginal and Torres Strait Islander peoples, surviving campaigners, their families and Government representatives. The chosen stamp design was by Rachael Sarra, a Goreng Goreng woman, artist and designer at Brisbane-based creative agency Gilimbaa.

“… without the courage and determination of the original campaigners, all our lives could have been so different” – Rachael Sarra

10.3.3_Rachel Sarra edited.jpg — Designer Rachael Sarra with the with the artistic display of the commemorative stamp.

Barbara Baehr, Arachnologist and ABRS Research Fellow
Favourite piece of history: In 2014, Queensland Museum scientists honoured wildlife warrior and conservation icon Terri Irwin by naming a new species of spider after her. The spider, Leichhardteus terriirwinae, was discovered by Dr Barbara Baehr and senior curator Dr Robert Raven in the Mt Aberdeen region in North East Queensland. The tiny spider is predominantly brown, with white legs and three white stripes…but don’t expect to easily find it as it’s less than seven millimetres long. The tenacity of the small spider was what led Barbara to name it in honour of Terri Irwin.

“We named this specific swift spider after Terri Irwin because Terri is a fast and straight thinking woman and we could not think of a more appropriate name for this slender and fast moving spider” – Barbara Baehr

2357B_QLD-Museum_Leichhardteus-terriirwinae_Spider-Discovery.jpg — Terri Irwin holding the Leichhardteus terriirwinae specimen.

4699B_QLD-Museum_Leichhardteus-terriirwinae_Spider-Discovery.jpg — Australia Zoo Owner Terri Irwin, Queensland Museum Scientist Barbara Baehr and Minister for Science, Information Technology, Innovation and the Arts Ian Walker MP.

Candice Badinski, Communications Coordinator
Favourite piece of history: Thancoupie Tapich Gloria Fletcher AO (1937-2011), best known simply as Thancoupie, was a leading figure in the Indigenous ceramic movement in Australia, and one of North Queensland’s foremost contemporary artists. In a career spanning four decades, she held over fifteen solo exhibitions in Australia and internationally, became Australia’s first Indigenous solo ceramic artist, and was the first Indigenous Australian to complete a tertiary degree in the arts. Today Thancoupie’s sculptures are represented in a number of major institutions across the country, and she is remembered as a pioneer for Aboriginal and Torres Strait Islander artists. In 2014, Queensland Museum curators purchased The Legends of Albatross Bay (Weipa Story) – a cast aluminium sculpture that narrates the history and legends of the artist’s home at Napranum in Weipa, Western Cape York. The sculpture was an exciting acquisition, as the work represents not only one of the final chapters in Thancoupie’s career but also offers added depth to the museum’s existing collection of the artist’s work.

Thancoupie_CMP — Thancoupie Tapich Gloria Fletcher with some of her artwork in which she used incised lines to convey the history and legends of Weipa.

Thancoupie Tapich Gloria Fletcher’s sculpture, *The Legends of Albatross Bay (Weipa Story),* acquired by Queensland Museum in 2014.

Karen Kindt, Collection Manager, Anthropology
Favourite piece of history: Irene Longman, who in 1929 became our first female sitting member in the Queensland Parliament. Irene was married to one of our very own at the museum, Heber A. Longman, the longest serving Queensland Museum Director (1918 to 1945). For over thirty years, Irene involved herself in public life, in a professional and voluntary capacity, working on issues relating to the welfare of women and children, town planning and the preservation of flora and fauna. Queensland Museum holds correspondence dated 20 March 1928 from Dr de Rautenfeld in which he gifted two brooches, one for the museum’s collection and one as a personal gift for Irene. On display in Anzac Legacy Gallery, we also have a tablecloth used as a fundraiser for peace that Irene was instrumental in implementing.

Irene Longman.jpg — Irene Longman. Image courtesy of John Oxley Library, State Library of Queensland.

Irene Longman brooch.jpg — Brooch gifted to Irene Longman.

Collection, Collection Management, Geology, Insects & Spiders, Mammals & Birds, Marine Environments, Palaeontology, Reptiles & Amphibians, Research

Celebrating women in science

11 February, 2019 qldmuseum

We celebrate the achievements of women, known and unknown, remembered and forgotten, who have forged the way for those of us in science today, and to give an opportunity for children: girls and boys, to choose role models in science – Princess Nisreen El-Hashemite, BSc MSc MD PhD

This coming 11 February is International Day of Women and Girls in Science and to celebrate we’re featuring some of the incredible scientists and staff involved in the scientific field across the Queensland Museum Network. Their hard work and excellent contributions often help inspire women and young girls who are interested in following a path in science. We delve into why they chose to get involved in science and what they’ve found most rewarding.

#goals #inspo

Marissa McNamara
Lab Manager and Collection Manager (marine for crustacea)

I work with preserved crabs, prawns, lobsters and other amazing creatures from around Australia, and I get to see the incredible diversity and beauty of life every day. I also help members of the public identify crustaceans they find (often on the beach or the reef), and it’s fantastic to see what people discover. I feel like I learn something new every day! As an added bonus, for Halloween I get to dress up and show off our ‘creepiest’ looking specimens!

Rebekah Collins
Manager, SparkLab and Discovery Centre

It is really rewarding to create experiences that support visitor learning, hearing people share their memories, stories and connections with the Museum and the Sciencentre, and seeing how much it means to them, especially those who later go on to study or be involved with science.

Joanne Wilkinson
Senior Fossil Preparator and Geosciences Volunteer Coordinator

At age 9 I asked for a Chemistry set for Christmas. That’s when my love of litmus paper and the test tubes began. Many years later, combining my interest in fossils and my love of test tubes and laboratories, I find myself Senior Fossil Preparator at Queensland Museum. The most rewarding part of working in the fossil scientific community is the discovery of new sites and new species which add to fossil record of Australia and ultimately to the fossil record of the planet.

Susan Wright
Collection Manager, Terrestrial Environments (Entomology)

The best part of my job as a Collection Manager is that I get to help a wide range of people, from scientists to artists, to conduct fascinating (sometimes bizarre) research regarding insects, our collections and the people that contribute to them. I learn something new every day.

Chae Swindell
Learning Officer, Future Makers

The most rewarding part of my role is using our collections and research to develop resources that inspire and excite students, teachers and the community about science!

Christine Lambkin
Curator of Entomology

I became an entomologist and evolutionary biologist because I am fascinated by the interaction between the incredible beauty and unbelievable diversity of insects, and our attempts to mathematically estimate the relationships between species based on morphology and genetics.

Rochelle Lawrence
Research Assistant and Honorary, Vertebrate Palaeontology

I chose to get involved in science because of my fascination with the natural world, especially our unique fossil fauna and how they can help us better understand the present and impacts or future environmental change.

Kristen Spring
Collection Manager, Geosciences

I got into science because although there is too much to discover in one lifetime, I was certainly determined to try!

Susan Turner
DAAD Professor and Honorary Research Fellow, Geosciences

I got hooked at around eight years old by reading a book on dinosaurs – the joy of finding the right mentor led me into vertebrate palaeontology in my twenties. Five decades on I still get excited knowing I am the first person to see a new fossil specimen, and sometimes have the joy of identifying and naming it for posterity.

Jessica Worthington Wilmer
Research Fellow and Molecular Identities Lab Manager

I became a biologist (evolutionary geneticist) to better understand the world I live in and to use that knowledge to help save threatened and endangered species.

Carole J Burrow
Honorary Research Fellow

The most rewarding aspect of my work in vertebrate palaeontology is working out new information about very old things (300 to 400 million year old fossils) to help our understanding of how the earliest back-boned animals with jaws are related to each other.

Amy Boulding
Head, Lifelong Learning

I originally got into science because I loved that I could ask lots of questions and go find the answers by getting my hands dirty and exploring the natural world. I’m super proud of now leading the Lifelong Learning team, and seeing all of the ways that my team create and facilitate those life-changing, enlightening, inspiring moments with people on all different themes and stories within the Museum.

Sue-Ann Watson
Senior Curator (Marine Invertebrates)

Making new discoveries is the most rewarding part of science. Being the first to know something is really exciting.

Barbara Baehr
Arachnologist and “Australian Spider Lady”

I chose to get involved in science because it’s great to be at the forefront of discoveries and I love to be a role model for my daughters.

Jessica Johnson
Learning Officer, SparkLab, and Forensic Scientist

I chose science when I held a real human brain in my hands and realised that this was a person, that 1.5kgs was everything that made someone them, and there’s nothing more rewarding then seeing the look on a child’s face when they understand something new and exciting about science.

Claire Chakrabarti
Learning Officer, SparkLab

I was the child that always asked why and I chose to pursue a career in science as it provided the answers.

Susan Wightley
Information Officer, Discovery Centre

I have always been fascinated by the huge variety of animals, the adaptations to their environment and how they interact with it and each other. I am in my dream job helping people understand and appreciate the complexity and awesomeness of the natural environment around them.

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Cobb+Co Museum, Collection, Research, The Workshops Rail Museum

A Toy Train for Christmas

17 December, 2018 qldmuseum 1 Comment

“I remember clearly the Christmas my parents decided I was old enough to have a model railway all of my own. Saturday mornings were spent in the local hobby shop. I was awe struck by the rows of gleaming model locomotives in glass display cabinets, with little handwritten price tags propped up neatly next to each engine. The present I opened up on Christmas day was a complete surprise, I missed the Hornby Train set high up on a shelf in the shop containing a little blue steam engine (that I named Bob) a few goods wagons and a circle of track. It was magic and the start of something much bigger” – David Hampton, Curator of Transport, The Workshops Rail Museum.

For many train travel and Christmas are closely linked. The excitement of train trips home to spend the holidays with family and friends conjure up fond memories. For more than a century trains were the way most people completed long distance travel. Letters, cards and gifts also crossed the country by rail, connecting people across vast distances and communicating love and well wishes between those that couldn’t be together for Christmas.

For others, like myself, the origins of a lifelong passion for railways began with the gift of a toy train for Christmas. The tradition of giving toy and model trains as Christmas presents is almost as old as the railways themselves, tracing the advance of technology and changing tastes in leisure activities. Originally marketed as toys for boys, today model railways are a pastime enjoyed by people of all ages the world over. The trains themselves, once robust and simple caricatures are now delicate and detailed scale models representing as accurately as possible the real thing.

The Workshops Rail Museum in Ipswich is home to hundreds of model and toy trains, most of which are held safely in the museum’s collection store. However, as Christmas treat I’ve gone through the collection and picked out some of my favourites to share with you.

Until the First World War toy trains were large, expensive and exclusive. Most were made in Germany and were play things for the rich. They were mostly powered by clockwork mechanisms or live steam.

Things changed after the war. German made goods fell from favour and mass production made toy trains more affordable. A demand for British made products inspired Frank Hornby –creator of Meccano – to branch out into toy trains in the early 1920s.

Hornby became one of the most popular toy train brands in the world. Produced in O Gauge the range developed into a comprehensive toy railway system that included locomotives (available with either electric or clockwork mechanisms), rolling stock, track, signals, buildings, figures and scenery.

But even in the 1920s people were running out of room as houses and living spaces became smaller. The toy trains available took up the floor of a room for even a basic railway set up. An early attempt to make a more compact railway system was the Bing Table Top Railway, which as its name suggests could be set up and played with on the dining room table.

After the war toys were still scarce. In Australia brothers George and Bill Ferris couldn’t find train sets to buy their children for Christmas 1946. They decided instead that their car radio business would start manufacturing their own range of O gauge trains. Ferris Electric Trains was one of a number of small ventures that made toy trains in Australia in the 1940s and 1950s. These toys were based largely on Australian trains – the first time models of trains running on Australian tracks were made in commercial quantities.

As technologies and manufacturing techniques changed in the 1950s, so too did model railways. Trains were being made in plastic rather than tin, smaller scales like HO/OO became more popular and the old O gauge trains fell from favour.

By the 1960s model trains were struggling to adapt to changing tastes and interests. The influence of television, cheap imported toys and declining interest in railways contributed to companies like Hornby suffering financial difficulties and eventually closing down.

Despite this decline in popularity model trains endured. Marketing shifted from toys for children to accurate and detailed models for serious collectors. Models Railways became a pass time for model builders, researchers and enthusiasts.

Model train collections come in all shapes and sizes. One of the most remarkable collections in Australia is that of business man Marsden Williams. Mr Williams amassed a collection of 20,000 individual pieces of rolling stock in various scales from across the world between the 1970s and 1990s. After Mr Marsden passed away half of this collection was donated to the Workshops Rail Museum.

Until the 28^th of January 2019 visitors to Cobb & Co Museum in Toowoomba can see a small display of Marsden’s collection including locomotives from Europe, America and Japan. Out at the Workshops Rail Museum in Ipswich the process of researching and conserving the various collections of model and toy trains in the museum’s care continues behind the scenes. Out on the museum floor an enormous model based on the railways of Queensland operates every day, capturing the imagination of visitors young and old. I wonder if there is a future Curator of Transport amongst them.

Anzac, Collection, Conservation, Queensland Stories, Research, War

Stories in living colour

27 November, 2018 qldmuseum

By Dr Geraldine Mate, Principal Curator, History, Industry and Technology, Queensland Museum

When I was asked to say a few words at the opening of the new Anzac Legacy Gallery, I thought “yes, that would be great”…then they said three to four minutes and I thought that would be impossible. I could talk for an hour, but how could I fit so many incredible stories into four minutes?!

And there are literally hundreds of incredible stories. Stories about bravery under fire, quiet moments in war, about women who cared enough to devote months and even years of their lives to giving to others, of cruel internment, of men who stoically bore injuries and illness as an aftermath of war, and of those who never returned.

This gallery, however, is not just one of wartime one hundred years ago. It’s also about the Queensland we live in today, a Queensland where unexpected events are tied by filaments back to the First World War, where tea cosies, place names and even robots can be seen through the lens of time as having a link to the war.

But this war, and its link to Queensland, was not in sepia, or black and white, but affected and embroiled real people. And people are at the centre of the stories presented here, stories that we are privileged to be able to tell. These stories could not be told without the objects that were loaned and or donated to us by the descendants of the original owners of the special objects that make up the gallery.

I would like to thank all of you, from the bottom of my heart, for your involvement in the gallery – in ways both big and small. It may not seem much at times – a phone conversation about your grandparents, lending us a photograph, or coming in briefly to look at something donated years ago – but for me as one of the curators for the gallery, it meant an enormous amount, allowing us to get a more personal glimpse into the lives of the men and women we are telling these stories about.

This would be a good point to acknowledge that this gallery is first and foremost a team effort. There were a large number of Curators and collection managers involved over the course of the project, as well as other colleagues in different roles who brought the project together. The project management team, Graphic Design, Exhibition Design, the Exhibition Services team, our amazing Conservation team, and last but by no means least the teams at Architectus and Romeo who brought the curatorial vision to life.

That’s one of the exciting things about doing an exhibition. You start out with a single idea – “let’s do a gallery about World War One and its impact in Queensland”. There’s the discovery phase where you look at the objects in the collection and reveal the stories about them; the hard graft stage where you write the stories, finalise the object selection, and choose photographs, and write some more; the creative phase where you work with designers to create a space that suits the gallery and case layouts that tell the stories to their best advantage; and then the final push to get objects conserved, to build and install cases, and polish the glass before opening day. As a curator, it’s pretty exciting seeing the objects and stories that have going around in your head for months or even years suddenly before you, in three dimensions and living colour.

The idea of living colour was particularly important to me as a way to connect in the gallery with the real life stories, and this was an objective for us – connecting with the people – the men and women who were part of the war, or lived with its aftermath, and those who have continued to impact Queensland today.

Women like Elsie Wright who by day helped her husband farm on their soldier settlement block after his return from the war, and by night embroidered to support their family. Men like Caleb Shang, a book-keeper from Cairns who was awarded the DCM, or Henry Dalziel, an apprentice in the Railways from Atherton, who was awarded the Victoria Cross.

These stories are yours – the families of the men and women who’s lives we reveal a little of in this gallery. Thank you again for your donations, stories and photographs. Thank you for the privilege of a small glimpse into your family’s history. I hope you enjoy the gallery, and feel proud of the stories we are telling of your loved ones to the many, many people who visit Queensland Museum.

As you look around the exhibition we hope that you find a touch point – perhaps in a story, funny or poignant, or in the sheer size of the undertaking of war and the long impact of the war in Queensland; and that you leave with a new view of the Legacy of our Anzacs.

Collection, Education, Insects & Spiders, Mammals & Birds, Research

Daily discoveries are coming to you

19 September, 2018 qldmuseum

While the Discovery Centre is being renovated our most popular displays are still on show. Every day at 11.00am and 2.00pm our amazing Daily Discoveries will pop up anywhere! So keep an eye out for them these school holidays…

Get up close and personal with a stick insect! We have Goliath Stick Insects, among the largest insects in Australia, breeding here in the museum. There are also Children’s Stick Insects, which look like gum leaves, and bizarre Spiny Leaf Insects, with ragged leafy legs to resemble dead leaves. You will be amazed at how our stick insects have truly mastered the art of camouflage. You can even help us sort their eggs, and count the tiny nymphs that hatch out here every day.

Or maybe you prefer fossils? Fancy holding a Diprotodon tooth? That was the biggest marsupial that ever lived, a bit like a giant wombat, so it’s pretty impressive. Fossil bones of this animal turn up in many parts of Queensland. For that matter, how can you tell if a piece of rock is actually fossil bone? How are fossils formed? What’s a pseudofossil? You will find out the answers to these and much more.

This month there will be some monkey business as we welcome Monkeys! A Primate Story, opening 29 September. This new exhibition lets you learn about our shared evolutionary history, and the weird and wonderful mammals that make up the primate family tree. We have some fascinating skulls to share as part of our Daily Discoveries, featuring our distant and not so distant relatives. Did you know a tarsier has eyes so big they cannot move in their sockets? Or that male mandrill teeth are fearfully large and sharp to terrify their rivals? Subjects change regularly so always be prepared for something new.

So where do you find us? We display various objects on a mobile trolley so we get around. Ask our floor staff and they will be happy to point you in the right direction, or you can look for the Daily Discoveries banner on Levels 2 and 4. And make sure you bring your curiosity because there is plenty to learn in our Daily Discoveries!

‘Primate lineup’ – can you identify our distant and not so distant relatives from their replica primate skulls

24 – 28 September and 1 – 5 October