By Dr Geraldine Mate, Principal Curator, History, Industry and Technology, Queensland Museum

When I was asked to say a few words at the opening of the new Anzac Legacy Gallery, I thought “yes, that would be great”…then they said three to four minutes and I thought that would be impossible. I could talk for an hour, but how could I fit so many incredible stories into four minutes?!

And there are literally hundreds of incredible stories. Stories about bravery under fire, quiet moments in war, about women who cared enough to devote months and even years of their lives to giving to others, of cruel internment, of men who stoically bore injuries and illness as an aftermath of war, and of those who never returned.

This gallery, however, is not just one of wartime one hundred years ago. It’s also about the Queensland we live in today, a Queensland where unexpected events are tied by filaments back to the First World War, where tea cosies, place names and even robots can be seen through the lens of time as having a link to the war.

But this war, and its link to Queensland, was not in sepia, or black and white, but affected and embroiled real people. And people are at the centre of the stories presented here, stories that we are privileged to be able to tell. These stories could not be told without the objects that were loaned and or donated to us by the descendants of the original owners of the special objects that make up the gallery.

I would like to thank all of you, from the bottom of my heart, for your involvement in the gallery – in ways both big and small. It may not seem much at times – a phone conversation about your grandparents, lending us a photograph, or coming in briefly to look at something donated years ago – but for me as one of the curators for the gallery, it meant an enormous amount, allowing us to get a more personal glimpse into the lives of the men and women we are telling these stories about.

This would be a good point to acknowledge that this gallery is first and foremost a team effort. There were a large number of Curators and collection managers involved over the course of the project, as well as other colleagues in different roles who brought the project together. The project management team, Graphic Design, Exhibition Design, the Exhibition Services team, our amazing Conservation team, and last but by no means least the teams at Architectus and Romeo who brought the curatorial vision to life.

That’s one of the exciting things about doing an exhibition. You start out with a single idea – “let’s do a gallery about World War One and its impact in Queensland”. There’s the discovery phase where you look at the objects in the collection and reveal the stories about them; the hard graft stage where you write the stories, finalise the object selection, and choose photographs, and write some more; the creative phase where you work with designers to create a space that suits the gallery and case layouts that tell the stories to their best advantage; and then the final push to get objects conserved, to build and install cases, and polish the glass before opening day. As a curator, it’s pretty exciting seeing the objects and stories that have going around in your head for months or even years suddenly before you, in three dimensions and living colour.

The idea of living colour was particularly important to me as a way to connect in the gallery with the real life stories, and this was an objective for us ­– connecting with the people – the men and women who were part of the war, or lived with its aftermath, and those who have continued to impact Queensland today.

Women like Elsie Wright who by day helped her husband farm on their soldier settlement block after his return from the war, and by night embroidered to support their family. Men like Caleb Shang, a book-keeper from Cairns who was awarded the DCM, or Henry Dalziel, an apprentice in the Railways from Atherton, who was awarded the Victoria Cross.

These stories are yours – the families of the men and women who’s lives we reveal a little of in this gallery. Thank you again for your donations, stories and photographs. Thank you for the privilege of a small glimpse into your family’s history. I hope you enjoy the gallery, and feel proud of the stories we are telling of your loved ones to the many, many people who visit Queensland Museum.

As you look around the exhibition we hope that you find a touch point – perhaps in a story, funny or poignant, or in the sheer size of the undertaking of war and the long impact of the war in Queensland; and that you leave with a new view of the Legacy of our Anzacs.