All posts by qldmuseum

Lagoon Creek Shearer’s Strike Camp

Written by Nicholas Hadnutt, Curator, Archaeology.

In the 1890’s, work relations in Australia were a hot topic. Working conditions and wages were at an all-time low for shearers and they were preparing to fight for their rights. The Queensland wool industry was rapidly growing and shearers and pastoralists were seeking to define fair working conditions. Unfortunately, the opinions of the two groups as to what constituted reasonable working conditions were poles apart and conflict was looming. By 1890, shearers and other labourers began forming unions to better represent their rights, including a key requirement that pastoralists only employed union members. The pastoralists reacted by coming together nationally to create a shearing and labouring agreement of their own. The wealthy pastoralists were expecting a fight and were working together to defeat the union movement.
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The Maritime Archaeology Collection: Part 1 Shipwrecks

Written by Dr Maddy Fowler, Museum of Tropical Queensland

As the recently appointed Senior Curator Maritime Archaeology, I have faced the challenge of familiarising myself with the maritime archaeology collection, predominantly housed at the Museum of Tropical Queensland. The HMS Pandora artefacts are justifiably the most well-known of this collection, due to both their international value and significance, and their substantial quantity. The collection, however, also includes artefacts from at least 16 other named shipwrecks located across Queensland’s coast and rivers. The maritime archaeology collection can therefore be seen as a cross-section or a sample of the total shipwreck resource in the State, and a brief analysis of these sites can inform significance and research potential.
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19th century Australia: grog and salad dressing?

Written by Nick Hadnutt , Curator, Archaeology.

Many of the artefacts recovered from historical archaeology sites in Australia are essentially the same types of material. Any researcher investigating these sites will expect to handle a range of material including various metal fragments, spent munitions, lost buttons, broken slate pencil tips, fragments of tools, bits of bridles and horse gear, lost coins and tokens, pieces of fabric, discarded leather material and ceramics. Amongst the most common objects are those made of glass: either whole vessels or as fragments. In fact, so much glass material is recovered from sites, it could be easy to assume 19th century Australians lived on a diet of alcohol and salad dressing, simply from the kinds of bottles we find most often.
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Meaning in Maps

Written by Dr Geraldine Mate, Principal Curator, Industry, History and Technology.

It’s a nerdy boast, I know, but I love maps! Colourful touristy maps, contour maps, historic maps with wheat, sugar and gold country blithely shaded out, hand-drawn maps with names of people as important as names of places, and even the busy cadastral maps – dimensioned and officially (officiously?) denoting gazetted reserves, roadways, property boundaries and survey points. They all somehow convey a little bit about the landscape they depict. So what do maps have to do with archaeology?
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Shine a Light

Written by David Parkhill, Assistant Collection Manager, Archaeology.

The need to extend daylight hours, for either pleasure or the day to day business of living, or earning that living, has always been with us. Before the advent of electricity, allowing a room to be illuminated with the simple flick of a switch, light was generally achieved by the use of either a candle or a lamp.  Candles, while being a far cheaper alternative to pottery oil lamps, did not provide the same amount of light, nor could the light be adjusted by trimming the wick, as was the case with lamps.

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What will our future hold?

Guest contributor: Jodie Muraca, Visitor Services Officer, Hadron Collider: Step Inside the World’s Greatest Experiment exhibition

As a Queensland Museum Visitor Services Officer I have the opportunity to engage with visitors about the compelling story of CERN and the Large Hadron Collider (LHC).  Alongside the fascinating exhibition objects, we utilise four engagement tools developed here at Queensland Museum, including the enchanting ‘New Discoveries Time Capsule’.
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Classical antiquities find a modern home

Written by Dave Parkhill
Assistant Collection Manager, Archaeology, Cultures and Histories Program

In 2015 the Queensland Museum commenced an expansion of the Secret Sacred Room at the South Bank campus. As part of this process, the majority of archaeological artefacts remaining at South Bank were relocated to the Queensland Museum Annexe at Hendra. The archaeological objects remaining at Southbank consisted mainly of the antiquities collection. From terracotta lamps to glass beakers; from mummified birds to spearheads, the antiquities collection is comprised of over 950 pieces, and includes artefacts from cultures as geographically and chronologically diverse as Egypt, Rome, Britain, Greece, and Cyprus.
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